BOFFOInstagram has decisively shifted social media sharing practices toward the visual. Favoring images and short videos over text and hyperlinks, the network’s 1. This sprawling circulation of images is largely organized around the expression of pleasure, averaging 1. Crosse DEAN's LIST Spring 2016 (Sorted by State City) HOME STATE HOME CITY HOME POSTAL First Name Middle Last Major 1 Descrip. Date Title Author View/Download; Sep-2016 : 2016 North Dakota Agricultural Outlook: Representative Farms, 2016-2025: Taylor, Richard D. PDF (142 KB) 15-Aug-2016 : Private vs. Collective Wine Reputation: Caracciolo, Francesco. Sinopsis: La primera novela del «fen. Readbag users suggest that 2009. The file contains 84 page(s) and is free to view, download or print. Current Junior Membership List As of 6/30/16 Last Name First Name Gender Membership Option Aalto Megan F RM The URL shortener VURL is a short url redirection service that takes long URLs and squeezes them into fewer characters. URL shortening is a technique on the World Wide Web in which a long URL (site or page address) may be made. BOFFO Fire Island Art Camp May 30 – September 18, 2016 Fire Island Pines, NY. Enriching the Fire Island Pines Community through the Arts. The BOFFO Art Camp on Fire Island is a culmination of artistic presentations. Considering the relative speed with which users scroll through their feeds, perhaps Warhol’s famous quip was an underestimate: if everyone’s “1. Over a period of five weeks, participating artists will release commissioned “social media art” on Instagram. A different artist will debut each week, taking over BOFFO’s. Instagram account for 5 days. What they do with the account, if anything, is up to each artist. But this space is not uncontested. Facebook’s 2. 01. Instagram yielded questions about the end use of user- created content. Despite, or in some cases because of this implication of user production in a nexus of data collection, participating artists are using Instagram to inventive ends: to disrupt otherwise seamless flows of images, to highlight dissonances of everyday life and its distorted representations, to explore the fraught tendency of digital self- archiving, or to otherwise promote a critical politics. The launch of these commissioned artistic projects on Instagram is intended to challenge users to engage with critical art amidst the rest of their feeds, and to challenge infrequent or non- users of social media to “sign on” and consider the possibilities of an art that is native to this platform. You're trying to send a message. Instagram relies primarily on the image to communicate ideas, and these images function as interpersonal communicative gestures and networked media entities. A 2. 01. 1 cover story in ARTnews, “The Social Revolution,” helped spark new and engaging conversations about how artists can use social media effectively as a platform for expression. Continuing in this tradition, . Social media art practice often awakens and engenders the communal, communicative space of internet culture and idiosyncratic forms of expression that emerge in this space. From Ai Weiwei to Ryan Trecartin, artists from around the world have explored this space through radically divergent approaches and within a contested understanding of how this the space of social media relates to social life in general. Coined by theorist Richard Dawkins, a meme is a cultural unit that spreads from person to person much like a gene. In the context of the internet, this generally means a unit of media such as a video, hashtag or image, regularly transferred between users, transformed, and remixed. This ongoing transformation distinguishes memes from viral media. Memes do not simply spread on the web: they shift and change over time. Memes can have a powerful impact as art objects and tools for advocacy in a variety of contexts. In this case, the internet becomes the mural/backdrop against which a meme is seen and understood. The PEN Center recently began #With. Flowers in support of Weiwei’s freedom to travel, a response to the artist’s own use of Instagram to post images of flowers in protest of his house arrest. Despite various national censorship protocols, the rich creative possibility of memes has enabled them to propagate, reflecting the artistic potential of common netizens to galvanize around social issues. On the flip side, researcher Katy Pearce has examined propaganda memes generated by the Azerbaijani government as a method of influencing and shaping public opinion in the country. According to the Oxford Dictionary, the decision was unanimous: the 2. Self- representation through social media is somewhat of a recent phenomenon. Although the term’s earliest use was cited in 2. Instagram—the selfie has become a term invested with worldwide currency. Cindy Sherman, an artist whose work is exhibited worldwide and was shown in an eponymous retrospective at the Museum of Modern Art in New York in 2. As the artist explained in The New York Times in the early 1. I feel I’m anonymous in my work. When I look at the pictures, I never see myself; they aren’t self- portraits. Women’s & Children’s Alliance Book of Gi. Miller Trust Katherine Troutner Shelter Stakeholder — $1 million (1 naming opportunity) Stakeholder knows that their named.Sometimes I disappear.” Contemporary artist K8 Hardy, whose early work of costumed self- portraiture brought her much attention, was recently quoted in Art in America saying: “The whole selfie phenomenon . I’m a poser, but now even kids surpass me in this regard.”. In the context of social media, the “selfie” is ultimately something of a misnomer, implying that the action is conducted in isolation. It is perhaps more useful to consider the selfie—in its broad socio- technological ecology and within the expanded field of images—as a communicative act intended to convey emotion, share an idea, tell a story or even inspire others to a particular form of action or engagement. In Nigeria, the Gunman Pose became one of the first globally- recognized Instagram memes in Sub- Saharan Africa. The meme emerged in response to rapper Olamide’s album cover, which depicted the artist posing with arms outstretched and fingers pointed like guns. After the tragic shooting of Trayvon Martin, a young African- American man in south Florida, citizens came together to advocate for awareness about the circumstances of his death by taking pictures of themselves wearing hoodies, as a show of support. Similarly, citizens in China donned sunglasses and uploaded the photos to social media as a way to evade censorship and speak out about Chen Guangcheng, a blind activist lawyer. Similarly, Hyperallergic writer Alicia Eler has gathered and curated selfies that challenge binary gender norms. Much more than acts of self portraiture, these selfie phenomenons instigated communities and advocacy groups to form on momentous scales. In its early iterations, these conversations also looped in interesting strangers encountered on the streets of New York. Since its beginning, the magazine has always sought to share these conversations with a large public. For many years Warhol distributed the magazine freely to his friends. With a current monthly print distribution of over 2. Instagram followers, and an increasingly important online presence, it seems only fitting that Interview is the media partner for this series. The digital- linguistic convention of the hashtag, which emerged in some of the earliest versions of internet chat, entails simply marking a topic with a pound or hash sign (#), as a way of organizing conversations around a topic. Although popularized by Twitter, the hashtag was not an original feature of the service. It was in fact developed by Twitter users, and the convention continues today as a way to register conversations and images on a global discursive plane. As the organizer of the hashtag noted, “People getting to relate to each other and see each other coming to these topics in an honest, personal way is much more eye- opening than . The dark humor of this hashtag gave the piece a viral but deeply unsettling quality that resonated with a wide range of participants and viewers. As The Guardian wrote of Hill’s project, its timely ingenuity lies in “its combination of delightful eccentricity and public- service practicality.”. PERFORMANCE ARTISTS ON SOCIAL MEDIA. While internet- based art has traditionally experimented with and tested the boundaries of digital space, social media art today operates amidst a proliferation of mobile devices. As such, physical and digital spaces are increasingly in dialogue with each other, their boundaries increasingly blurred. Thinking about these spaces as inherently separate constitutes an unnecessary divide—one that social technology theorists like Nathan Jurgenson have called “digital dualism.”. Performance artists working in social media have created performative actions in physical spaces that are transformed by their co- existence in digital space. Digital space creates special affordances for physical acts that extend beyond the bounds of geo- temporal environments, particularly in encouraging and emphasizing co- creative actions for the works themselves. Recently, Turkish performance artist Erdem G. With increased police brutality against citizens assembling in the park, G. Other examples of this include Man Bartlett’s 2. Port, which involved the artist tweeting and communicating online for 2. Port Authority Terminal in Manhattan. Part of a series commissioned by Creative Time, Creative Time Tweets, 2. Port created a layered field of social media interactions while Bartlett enacted the piece in the physical, public, often rather isolating space of transit beneath the city. Lauren Mc. Carthy’s commission for the Brooklyn Museum’s 1stfans Twitter Art Feed involved her tweeting directly from her shower with a special waterproof device. Enacted periodically over the course of a month, her piece tested the boundaries of performance art through the vast affordances of digital expression, as she transformed the typically solitary thoughts that might occupy the mind while showering into public communiques. When Weiwei released an iteration of Gangnam Style, he titled it “Grass Mud Horse Style”, a reference to a popular internet meme in China that helps netizens express dissent in spite of internet censorship. London- based artist Anish Kapoor, inspired by Weiwei’s work, created a response online that aggregated performances from a wide variety of museums around the world. The Weiwei- Kapoor dialogue is a compelling example: a Korean pop star’s video, amplified by Western musicians, inspired a Chinese artist- activist to make a video referencing Chinese internet culture, which then instigated videos of amplification and support from a British artist and a host of museums across the globe. These are not discrete works, but a chain of responses; not a single artist, but many. This essay on social media art was written by BOFFO and The Civic Beat.
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While energetic, the album is, overall, unmemorable. Gorky Park James Horner. Gorky Park was one of those albums I wasn't familiar of. CD release of classic film . The screenplay was by Dennis Potter, and the director was Michael Apted. The New York Times called the film “a taut, clever thriller throughout, with Mr. Apted’s direction establishing its intensity immediately and sustaining it well. Bode’s cinematography and James Horner’s score go a long way toward setting a hauntingly bleak mood, and the supporting players, particularly Brian Dennehy and Ian Bannen, are excellent.” The film’s screenplay won an Edgar Allen Poe award, and Pacula was nominated for a Golden Globe. James Horner’s score is really integral to the film, helping establish its various moods and characters, and really notching up the tension and romance.
Gorky Park is one of Horner's better fusions of jazz/ rock and full orchestra. James Horner / Gorky Park. It has some of Horner’s best themes, including a stunning one for Irina, the character played by Joanna Pacula. By 1. 98. 3, Horner had only been writing film scores for five years, but he’d already built up a substantial body of work and was considered to be one of the best of the up- and- comers of that generation, thanks to his terrific work on films in every kind of genre, including Star Trek II: The Wrath of Khan, 4. Hrs, Wolfen, Deadly Blessing, The Hand, Something Wicked This Way Comes, Krull, The Dresser, Testament, Brainstorm, among others. He would, of course, go on to be one of the most successful film composers in history, turning out scores for both blockbusters and more intimate films such as Cocoon, Uncommon Valor, The Journey of Natty Gann, Commando, An American Tail, Willow, Field of Dreams, Honey, I Shrunk The Kids, Glory, The Rocketeer, Aliens, Braveheart, Apollo 1. The Mask of Zorro, as well as his scores for two of the most successful films ever made, James Cameron’s Titanic and Avatar – and that doesn’t even scratch the surface. Horner is both an Oscar and Grammy Award- winner. Gorky Park was originally released on LP and CD by Varese Sarabande. For this release, we have completely remastered the sound and offer two presentations of the score – the first in film order, and the second in album order, two very different listening experiences. While there are a handful of additional cues in the film, most of them are very brief and are mostly reiterations of the cues that were assembled for the soundtrack album by Horner himself. So, here is James Horner’s great score for Gorky Park, one of his finest from an especially rich time in his scoring career. It’s everything a thriller score should be – and more. This release is limited to 1. The price of the CD is $1. CD will ship the first week of March – however, preorders placed directly through Kritzerland usually ship one to five weeks earlier (we’ve been averaging four weeks early). Gorky Park Soundtrack (by James Horner) Tuesday. Airport Farewell (04:07) 11. Tags: Gorky Park, James Horner. By James Horner, James Horner & Studio Orchestra Cond. Listen to a preview and add to your playlist. Gorky Park - Airport Farewell. This indicated that a thorough test program was required. The History of Air Force Participation in the Atomic Energy Program. The History of Air Force. The History of Air Force Participation in the Atomic Energy Program. The History of Air Force Participation in the Atomic Energy. Air Force Technical Applications Center > 2. Air Force > Display. Mission. The Air Force Technical Applications Center (AFTAC) provides national authorities quality technical measurements to monitor nuclear treaty compliance and develops advanced proliferation monitoring technologies to preserve our nation’s security. Atomic Energy Detection Systems (USAEDS), the largest sensor network in the U. S. The 1. 97. 4 treaty limits the size of underground nuclear tests to 1. AFTAC is on the leading edge of technological research and the evaluation of verification technologies for current and future treaties involving weapons of mass destruction which threaten our national security. In addition, AFTAC manages 1. International Atomic Energy Agency with the promotion of safe, secure and peaceful use of nuclear technologies. This organizational restructure better reflects the center’s global mission importance. Eisenhower recognized the need to monitor nuclear programs. As the nation’s caretaker of USAEDS, AFTAC works closely with the Comprehensive Test Ban Treaty Organization in Vienna, Austria. Together, both parties are significantly improving the International Monitoring System (IMS). In fact, AFTAC now contributes six of its U. S.- based USAEDS seismic monitoring stations to the IMS. Air Force shelf the program in the. Use of Atomic Energy.The Decay of the Atomic Powered. Nuclear Propulsion Program, Atomic Energy Commission and. The Soviet Union would later launch its own atomic program. Five C-54 transport planes leave Kirtland Air Force Base. Sabotage of the WW II German Atomic Program information. Eighth Air Force had perfected. German Atomic Energy Program. Into the Mushroom Cloud. Fackler and some supportive colleagues had convinced the military and the Atomic Energy. Online Georgia Death Indexes, Records & Obituaries. A 6-year-old girl appears to have died by being strangled while underwater Monday evening. Colquitt County Coroner Verlyn Brock said an autopsy performed Tuesday by the Georgia Bureau of Investigation listed asphyxia as the. Georgia Genealogy Trails 'Where your Journey Begins'. Blasingame married Miss Mary Sims, daughter of Dr. Sims, of Bamesville, Ga.
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